Within the breathtaking beauty of the Maldivian Island, there is a rich culture that is both enticing and intriguing. Among the many traditional rituals that adorn the essence of the Maldives, song and dance stands out. The area has its very own music and performances. Dating back several decades, these traditions are unique to this island. A visit to the Maldives must include a touch of music and dance in one’s agenda.

Although modern dance is slowly blending into its culture, it is the traditional folk dance that carries with it the heart of the Maldives. There are several names when it comes to folk dances in the Maldives; depending on the island you visit you will find one more commonly performed than the other. Perhaps the most famous type of Maldivian folk dance is the Bodu Beru. It is performed in almost every island and is characterised by the beating of drums. Traditional instruments such as coconut shells are also interestingly part of the musical instruments used to perform the Bodu Beru. Then there is the Bandiyaa Jehun which is another traditional folk dance that has a touch of Indian to it. The Bolimalaafath Neshu is one of the few folk dances that is actually performed by women, as most dances in Maldives are actually lead primarily by men. This dance is performed mainly in occasions like the religious festival of Eid. The Dhandi Jehun is also a name popular throughout the many islands in the area but in each island the performance is slightly different from the other. Other names of dance performances include the Fathigandu Jehun, the Gao Odi Lava, the Kadhaa Maali, the Langiri and the famous Thaara, a dance with a unique Arabian touch to it.

For being such a tiny island, the country certainly has a huge range of traditional folk dances. To absorb the full essence of beautiful Maldives, stay at the Maafushivaru Maldives. The name Maafushivaru is associated with one of finest resorts in Maldives. All the delightful facilities and unmatched surroundings, makes this stand out as the best of the Maldives island resorts.

Pushpitha Wijesinghe is an experienced independent freelance writer. He specializes in providing a wide variety of content and articles related to the travel hospitality industry. Google+

I persevered in my quest to conquer the slopes of Mount Kyaiktiyo in southern Myanmar. It wasn’t a mountain to be approached lightly. The devotion-charged Golden Rock at its pinnacle was the reward.

Most Burmese people pay homage to this wish-drenched balancing boulder–a miraculous pilgrimage site they must visit before they die. Legend has it that a dragon serpent princess found this rock at the bottom of the sea and with her supernatural powers she transported it to heaven. Many believe that touching this gigantic sacred stone allows wishes to be granted. Men struggle up the mountain just to apply more gold leaf to enhance the rock’s already magnificent gilded glow. But all is not fair. While women are free to ascend these sacred slopes, none of them can touch this breathtaking, stupa-graced wonder once they’ve arrived at the top. In a gesture of solidarity I, too, chose not to touch its shiny surface. Who made such rules? I bet the dragon princess is furious. I’ll find other ways to make my dreams come true.

Myanmar is filled with wonder. In Bagan more than a thousand magnificent stupas were built about the same time the Renaissance was happening in Europe. Sunlight brilliantly reflects from the shimmering golden spire of the much revered Ananda Temple, built in the year 1090 AD. There are about 997 other stupas nearby, but Ananda’s towering, and perfectly proportioned edifice, is the one that heralds the stylistic end of the early Bagan era. When I was there, a blast of rainbow celebrated the stupa’s existence.

Why have so many people never heard about this marvelous place?

The piece de resistance, however, surely must be the glitter of golden spires and shiny Buddhas that cast an ethereal glow over Myanmar’s most sacred pagoda, Shwedagon Phaya, which looms above the country’s commercial capital, Yangon, or Rangoon as it was known in a former existence.

Shwedagon can take your breath away.

Myanmar Buddhists dream of visiting here at least once in their lifetimes. No one, even tourists, ever forgets such a visit. It’s said there is more gold laced on Shwedagon’s surface than exists in the vaults of the Bank of England and perhaps even more than the mega tons stored at Fort Knox. Perhaps such overstatement is justified when setting the tone. This is an amazing place.

Long ago Rudyard Kipling waxed lyrical about this gold-swathed icon, “A golden mystery upheaved itself on the horizon–a beautiful winking wonder that blazed in the sun . . . ”

Allow me to put this explosion of glitter into perspective by describing just the top portion of the main spire which is clad in 13,153 plates of solid gold measuring one square foot each. The top-most vane of this tower is sliver-plated and studded with 1100 diamonds totaling 278 carats with 1383 other precious stones embedded nearby. At the very top of the vane is a golden sphere enveloped with 4351 diamonds, weighing 1800 carats. And at the very tip of this orb is a single 76-carat diamond perched more than a hundred meters above worshipers below. There’s a telescope off to one side for those wishing a closeup view of the jewels.

My photo below shows only a handful of the hundreds of Shwedagon’s shimmering spires that encircle the complex where Buddhist monks circumambulate to pay homage. Perhaps I should add that the gilded glaze you see was granted by an overcast sky. Imagine the spires when the sun shines brilliantly. Your eyes could launch into pain.

I allowed myself to be held spellbound.

Shwedagon has existed for two and a half millennia. Perhaps myth makers of ancient times visited here for inspiration. Clustered around the mighty golden stupa of Shwedagon is an awesome array of temples and zedis and shrines and pavilions and gilded Buddha statues in altars that defy description. One’s imagination can fail in comparison to what exists here. Temple walls are adorned in an endless display of reflective glass mosaic tiles laced with azure-tinted grout that lured me into a fit of mind-boggling amazement.

Go there one day and you will understand. This place really exists. Kipling was not lost in a dream.

After Yangon I made my way up-country on “The Road to Mandalay.” Mr. Kipling wrote about this, too, in his book of the same name. Today, the city can be a bit scruffy around the edges but its magic can still be found. The royal palace reflects in shimmering sunset-lit waters and you can climb Mandalay Hill to see its commanding golden Buddha with outstretched arm.

The lotus is associated with Buddhism because its flower signifies the law of “Cause and Effect” or karma. The lotus has the rare quality of manifesting the blossom simultaneously with its seed. More symbolically, the magnificent lotus flower flourishes most when it rises from the muddiest of swamps. When we find ourselves trapped in such muck, Buddhism promises that our lives can still blossom.

Burmese enchantment envelopes the country despite staunch military repression of the people.

On Inle Lake in eastern Myanmar fishermen deftly balance on one foot at the tip of their small canoes while their other leg is wrapped around an oar with one end tucked under their arm. They pivot and row in a one-legged corkscrew fashion while their hands are left free to manage the net. With permission, I climbed aboard one of these tiny boats mid-lake for an insider’s view through the net. In the process I almost caused capsize. But the agile boatman executed perfect counterbalance to my photograph of his precarious stance.

Toward the end of my visit to Burma I found myself at the remote Buddhist pagoda of Yan Aung Nan Aung Hsu Taung Pyi. It’s a quiet place; I was the only one there. No crimson-robed monks were nearby. It was just me and the huge outdoor Buddha sitting there in a moment of ponder. I lingered for a while, then carefully folded my umbrella and put it away. The rain had finally departed, perhaps signaling it was time for me to bid farewell to this incredible land. Reluctantly I slipped back into my sandals and turned to leave. Then, off to one side I spotted a sacred pond whose waters appeared not to be clear.

I drew closer and found rain droplets dancing on lotus leaves that had defiantly risen from the muck.

Copyright Glen Allison ALL RIGHTS RESERVED